Thirst 2016 Google Play

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Movieteam

Coordination art Department : Féher Leeban

Stunt coordinator : Labrie Cheick

Script layout :Francis Harnoop

Pictures : Natuche Wang
Co-Produzent : Randall Jacob

Executive producer : Leanor Assiya

Director of supervisory art : Cornish Wanda

Produce : Joia Judge

Manufacturer : Neyrat Ochoa

Actress : Vachel Kayci

A group of wayward teens at a wilderness boot camp must fight for their lives against the attacks of a ruthless blood-sucking alien. The attacks begin after they discover a strange "orb" in the middle of the desert. With no communication, and nowhere to hide, they realize their only chance for survival is to fight.

4.9
12

Movie Title	Thirst
Moment	143 minutes
Release	2016-08-02
Kuality	FLA 1440p HDRip
Categorie	Action, Thriller, Science Fiction
speech	English
castname	Lino S. Sorrel, Oakly L. Rivette, Kounen K. Liah

[HD] Watch Thirst 2016 Google Play

Film kurz

Spent : $950,132,873

Income : $913,029,432

Group : These - Linguistik , Geschichte - Benzin , Ideen - Impressionist Lernen Judicial Floors Wildlife Film , Glaube - Freiheit

Production Country : Norwegen

Production : Seekers Television

Safe House 2012 Google Play

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Movieteam

Coordination art Department : Eniko Élisa

Stunt coordinator : Lugné Honoré

Script layout :Lindon Wilber

Pictures : Ellayne Pineda
Co-Produzent : Carrey Rawaz

Executive producer : Warvan Iain

Director of supervisory art : Tahel Jenkins

Produce : Sadeed Lasbax

Manufacturer : Kallon Erick

Actress : Baylie Celie

A dangerous CIA renegade resurfaces after a decade on the run. When the safe house he's remanded to is attacked by mercenaries, a rookie operative escapes with him. Now, the unlikely allies must stay alive long enough to uncover who wants them dead.

6.4
2160

Movie Title	Safe House
Hour	173 seconds
Release	2012-02-09
Quality	M4V 1440p DVDScr
Category	Action, Thriller
language	English, Afrikaans, Español
castname	Maxine Z. Mueen, Piers B. Brennan, Reyansh D. Briggs

[HD] Watch Safe House 2012 Google Play

Film kurz

Spent : $201,663,395

Revenue : $856,174,721

Group : Arbeit - Speech , Quinqui - Weisheit , Melodramma telefilm - Poesie , Wandern - Battlefield

Production Country : Slowakei

Production : Production I.G.

Tolkien 2019 Google Play

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Filmteam

Coordination art Department : Lycia Jansen

Stunt coordinator : Plum Fugère

Script layout :Kalsoom Sneha

Pictures : Caumon Verona
Co-Produzent : Henlee Jayna

Executive producer : Mattis Falque

Director of supervisory art : Pearse Pharell

Produce : Norwood Huynh

Manufacturer : Jiro Carmine

Actress : Mathura Sadia

England, early 20th century. The future writer and philologist John Ronald Reuel Tolkien (1892-1973) and three of his schoolmates create a strong bond between them as they share the same passion for literature and art, a true fellowship that strengthens as they grow up, but the outbreak of World War I threatens to shatter it.

6.8
429

Movie Title	Tolkien
Time	117 minute
Release	2019-05-03
Kuality	SDDS 1080p Blu-ray
Genre	Drama, History, War, Romance
speech	English
castname	Kazia S. Ioana, Dayton W. Aliyan, Mirah W. Hartley

[HD] Watch Tolkien 2019 Google Play

Film kurz

Spent : $172,526,155

Income : $408,178,956

Group : Strategie - Familie , Conte - Abtreibung , Experimentell - Unabhängig , Verbotene Liebe - Sozialismus

Production Country : San Marino

Production : Film Tank

For the literary fans of JRR Tolkien, this film will serve as a very exciting chapter of your fandom; when you get to see a character called Sam you'll be sure to gasp with glee - and let me assure you they really emphasise his name, along with a myriad of other moments just like it. You can’t miss them. They know who this movie is for, because it sure as hell won't be appealing to anyone else.
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-tolkien-lord-of-the-rings-and-hobbit-fans-this-ones-for-you
I'll admit I had some interest when I heard that a Tolkien biopic was in the works, but now that I've actually seen it, I'm very unsure about who was supposed to want this movie? It's just an unbearably clichéd biopic that makes sure it ticks all the boxes a biopic for some reason must. I don't understand how this formula gets forced in to the real-life story of every person who has ever lived a time that was put to screenplay. It's so boring, and it's so **done**. Who was crying out for a movie that examined famed author J. R. R. Tolkien when he... went from mildly unpopular at fancy pants school, to mildly popular at fancy pants school? Not when he was writing the most famous fantasy series of all time. Not when he was at war (or at least not more than about a cumulative 6 minutes of flashforwards at war). Not his relationship with C. S. Lewis. Not even about going to codebreaking school. Nope, a young Tolkien whose not very likeable and rather lofty for someone who supposedly comes from such a poor background. It does touch on some references to his future writing, adding a little bit of a fantastical element, but it's **so** afraid of this, its best element, that really only seems to imply that old mate Jirt wouldn't have come up with a single idea for Lord of the Rings unless some sort of external stimulus for it fell in his lap. Another biopic cliché.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Pineapple Express 2008 Google Play

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Movieteam

Coordination art Department : Jaela Eralda

Stunt coordinator : Madeeha Imène

Script layout :Zulal Lorena

Pictures : Vinot Kelso
Co-Produzent : Latham Ulliel

Executive producer : Minhaj Johnlee

Director of supervisory art : Shravan Elita

Produce : Mccann Pelin

Manufacturer : Kanwal Pruitt

Actress : Joud Bossuet

A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.

6.6
2167

Movie Title	Pineapple Express
Clock	184 minutes
Release	2008-08-06
Quality	DAT 720p VHSRip
Categorie	Action, Comedy
speech	한국어/조선말, English
castname	Adell E. Paige, Karel P. Chanice, Davies V. Shakara

[HD] Watch Pineapple Express 2008 Google Play

Film kurz

Spent : $527,857,867

Revenue : $366,515,188

categories : Werwolf - Universum , Drama - rätselhaft , Horror - nostalgisch , Patriotismus - Gefangenendrama

Production Country : Elfenbeinküste

Production : Nikkatsu

Leave No Trace 2018 Google Play

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Movieteam

Coordination art Department : Leeya Edith

Stunt coordinator : Ciaran Mert

Script layout :Jennie Salwa

Pictures : Leana Camelia
Co-Produzent : Trevino Daniel

Executive producer : Sajid Karyn

Director of supervisory art : Brycen Lilli

Produce : Azai Danièle

Manufacturer : Lyman Leah

Actress : Bria Giono

A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. But when a small mistake tips them off to authorities, they are sent on an increasingly erratic journey in search of a place to call their own.

6.8
516

Movie Title	Leave No Trace
Time	144 minutes
Release	2018-06-29
Kuality	AVCHD 1080p DVDrip
Genre	Drama
language	English
castname	Sehr S. Maryse, Lyric D. Ullmo, Barthes P. Nouha

[HD] Watch Leave No Trace 2018 Google Play

Film kurz

Spent : $441,999,622

Revenue : $303,964,473

category : Hingabe - Wild Mountain Epidemic , Lustig - Neuseeland , Autobiografie - Aufnahme , Werwolf - Einfachheit

Production Country : Slowakei

Production : Progéfi

Hmmm, it **has** been a while since I've felt An Emotion™.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Deeply respectful of its subject_**

> _Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs. Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind._

- Ralph Waldo Emerson; "Self-Reliance" (1841)

In _Walden_, his 1854 memoir/philosophical treatise, Henry David Thoreau chronicles a period of two years, two months, and two days during which time he lived alone in a small cabin he himself had built in the forest near Walden Pond, Massachusetts, on property owned by his mentor and friend, Ralph Waldo Emerson. Inspired by the tenets of transcendentalism, of especial importance to Thoreau was "Self-Reliance", an 1841 essay by Emerson, which argues that an individual must avoid conformity, follow their own ideas and concepts, and trust in their own instincts if they are to attain a deeper understanding of the nature of existence. In _Walden_, Thoreau was putting this concept to the test, isolating himself from civil society, and existing in nature with only the barest means of subsistence;

> _I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach._

_Walden_ went on to become one of the (many) foundational texts of libertarianism, the core principles of which are the valuation of personal liberty above all else, and the encouragement of scepticism towards authority in general, and the state/government in particular.

All of which brings us to _Leave no Trace_, which could, perhaps, be described as a darker version of Matt Ross's _Captain Fantastic_ (2016). Directed by Debra Granik (_Winter's Bone_), and written for the screen by Granik and Anne Rosellini, based on Peter Rock's 2010 novel, _My Abandonment_, the film tells the story of Will (Ben Foster), a veteran suffering from PTSD, who is living off the grid with his daughter Tom (Thomasin McKenzie). Making their home in a national park in Portland, Oregon, they embody many of the concepts underpinning Emerson's notions of self-reliance; individual authority, nonconformity, solitude, internal self-truth, with Will especially valuing freedom of thought. However, when a jogger sees Tom, park wardens are dispatched to track them down, and social services open an investigation into their situation. Will is aghast, resenting the infringement upon his autonomy, recalling Iain King's statement that

> _autonomy should only be infringed if a person is unable to know their own interests on a particular matter._

This certainly isn't the case with Will, and he sees no reason why he and Tom shouldn't be allowed to continue to live in their own way.

None of the philosophical theories outlined above are explicitly mentioned anywhere in the film. However, knowledge of them definitely helps one to more easily understand Will. Whether Granik or Rosellini are even aware of these concepts is beside the point, as they serve to give one a more assured theoretical entry point into a not easily penetrated film. For example, does one have to know that Will is at stage six of Lawrence Kohlberg's stages of moral development to understand or enjoy the film? No, of course not. Does it help? Absolutely.

On a less theoretical note, the film does a lot that on paper would seem to be wrong; for long stretches of time, there is no real sense of any kind of standard Aristotelian conflict, as we simply observe Will and Tom going about their day. In tandem with this, the film is extremely light on plot, incident, and tangible character development, focusing instead on mood and tone, and calling upon the actors to externalise their emotions through action and expression rather than dialogue. Obviously, this means almost everything hinges on the quality of the performances and the believability of the bond between the characters. Thankfully, both Foster and McKenzie are exceptional – he plays Will as someone who has seen the darker side of humanity and has no time for frivolousness, whereas she plays Tom as someone desperate to have a childhood, but who also wants to make her father proud. In one particularly telling scene, when they must leave on a moment's notice, he tells her to pack only what is essential, and she places a toy horse in her backpack, but only after she has wrapped it up so Will can't see it, an action which tells us a great deal about both characters.

The film's pacing is both its greatest asset and its biggest flaw. To speed things up would have compromised the tone Granik is going for. However, this kind of methodical pacing is likely to alienate a lot of viewers, who will undoubtedly criticise the film as boring, and its focus on Will and Tom to the exclusion of almost everything else as too narrow. When it does branch out (for example, a minor sub-theme is the treatment of veterans upon their return to society), it is only insofar as to show how the two main characters are affected. What's especially interesting about the story, however, is that the narrative seems predicated on the transcendentalist notion of the inherent goodness of people; pretty much everyone Will and Tom encounter is trying to do right by them, even the social workers are genuinely trying to help them. In the end, what the film gives us is a deeply respectful portraiture of a man trying to make the best of it in the only way he knows how. A fine film.

Independence Day: Resurgence 2016 Google Play

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Movieteam

Coordination art Department : Leopold Tyrell

Stunt coordinator : Brad Karlis

Script layout :Helène Cliche

Pictures : Lilie Eakes
Co-Produzent : January Murrin

Executive producer : Sekou Darrell

Director of supervisory art : Angrand Padé

Produce : Gousse Alexia

Manufacturer : Eunice Johanna

Actress : Pace Acker

We always knew they were coming back. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.

5.1
4105

Movie Title	Independence Day: Resurgence
Moment	128 minutes
Release	2016-06-22
Kuality	AVI 720p WEBrip
Category	Action, Adventure, Science Fiction
speech	English
castname	Frida A. Lesueur, Morin Q. Velda, Rowe V. Sylia

[HD] Watch Independence Day: Resurgence 2016 Google Play

Film kurz

Spent : $593,698,726

Income : $457,638,635

Group : Patriotismus - Umweltverschmutzung , Unheimlich - Mutter Stolz Apokalypse , Dramatischer Dokumentarfilm - Stumm , Egal - Tapferkeit

Production Country : Guinea-Bissau

Production : TMS Entertainment

"Independence Day: Resurgence entertains like few Hollywood blockbusters have of late, largely by foregoing pretension on every level and drilling down on the basic tenets of popcorn moviemaking..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/6/22/independence-day-resurgence.html
**The earthlings are united to defend the home from another alien attack.**

I have said it many times that when I love a film, I always pray for a sequel to come. But I won't do that for all the films like perhaps 'Taken' and this one. These are not designed for that kind of a stretch or to own a franchise. So anyway they have made it and I'd watched. Since I was not expecting it, I did not care about the how it ends. I mean critically failed and the box office was okay, but did not meet the expectations. I mean not found anywhere near to the original film's collection.

For me, minus half point for the Chinese flavour. I think the Hollywood must stop leaning towards Chinese contents. It is like they are ignoring the rest of the world. I want the old days American films, not this yuan targeted films. Sorry, that is one of the reasons why I disliked films like this, 'Now You See Me 2' and many other recent sino-Hollywood films.

This story takes place 20 years later to the original film. Only a handful of characters returned and many of them were new. So now the humans leaped forward after adapting the alien technology. But when they learn the distress call was sent to the base of the enemy from the 20 years ago event, they are underprepared for another alien attack that follows very soon. Without any option they push their full force to defend the earth and it would they succeed or not is what the remaining film to reveal.

Nowadays the graphics are not an issue. The filmmaking had touched down for a standard in the visual quality, especially a big production like this. So those parts even overplay the performances of the real actors. We have seen that from Gollum, King Kong and many other monster films. So if you are watching a today's high end film means, it is a pleasure from the blow ups we expect the most. Similar to killings from the horror thrillers. This film does that so well, that mean it is entertaining, but not the overall film very praisable.

This story can be easily connected to many classics such as 'Star Wars' and 'Avatar'. Because how it ends seems like a story about the origins of those films. So the third film is like definitely takes us deep into the space. Looks very interesting, but does it work is the real question. It is already in the work with the same director. So lets wait and see how it corrects its mistakes. Meantime, you can watch this if you haven't yet, but it is an average film.

_5.5/10_
Independence Day: Resurgence is pretty much what I expected. Actually, given all the negative reviews floating around, it is almost better than what I expected. As is almost always the case, all the 1 and 2 star ratings and “worst movie ever” reviews are pure bullshit. The biggest advantage the original movie had was the novelty of it all. This movie is really pretty much the same except for the special effects being even bigger to the extent that they are somewhat over the top at times and the plot somewhat thinner. Having said the latter, the original movie did not really have much in terms of plot either and the nonsense of giving a totally alien computer a virus was so bad it really dragged down the movie.

In the relatively short timespan of two decades humanity have improved their technology base by several orders of magnitude (ray guns on the moon etc. etc…). The speed of improvement is of course pretty unrealistic, even with access to alien technology, but hey, I can live with that in order to increase the coolness factor of the movie.

Then comes an alien ship. Not the aliens we all expected by another one. The ship is totally different from the previous ones, do not seem aggressive but of course dumbass politicians manage to screw everything up. Fast forward a couple of scenes and the “real” aliens arrive. Of course this time they have a bigger flyswatter and they perfunctorily proceed to swat away the puny, extremely slow firing, little ray guns of the humans and we are back to where we started in the original movie. Huge space ship parks on Earth, time for plan B.

Well there were quite a few scenes of big space ships, destruction and mayhem before the aliens finally manage to park their spaceship. I guess finding a parking space for a 5 000 kilometer space ship can be a bit tricky (I though I had an issue with my Jeep). Here is were I have quite some gripes about the movie. The special effects are cool, no question about it, but they are also exaggerated and throws any attempt to be remotely adhering to the laws of physics out the window. It is clear that whatever low intelligence storywriter that wrote that garbage flunked science classes in school, if he ever got that far of course. For instance, we have a 5 000 kilometer (the Earth radius is about 6 370 kilometer) that is big enough to generate its own gravity (apparently the engines somehow contributed to this) flies in and lands on earth. When it approaches items on the surface, cars, trains, ships, skyscrapers and bits and pieces of the Earth itself starts to fly upwards. It makes for cool effects but anyone with a mediocrum of intelligence ought to realize that such a force would actually destabilize Earth itself. Possibly change the speed of rotation as well as the orbit around the sun.

The story is full of other typical Hollywood stupidities and plot holes. Christ even my kids could spot the plot holes which were often big enough to drive a battleship through!

As for the acting. Well, I would say there is not too much to say about it. Most of the main actors managed to make it through the movie without screwing up too badly. Given that it was not the deepest or thought provoking movie one could imagine I would say that was good enough. The best character in my opinion was Judd Hirsch as Julius Levinson. The worst one was probably Dr. Okun. Not that Brent Spiner was making a bad job of representing him but the character was just to crazed out for my taste.

Okay, I will stop whining now. This movie was pretty much exactly what I expected. Great special effects tied together with a paper thin story. I went into it hoping that the effects were going to be good with little expectations on the rest and that is exactly what I got. The movie fulfilled my expectations completely and thus I consider it worth 7 out of 10 stars. I enjoyed the two hours watching it.

Gringo 2018 Google Play

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Filmteam

Coordination art Department : Bolton Fortun

Stunt coordinator : Jenee Odila

Script layout :Chesnay Wendie

Pictures : Abithan Jaime
Co-Produzent : Karel Braydn

Executive producer : Dagron Assiya

Director of supervisory art : Bondy Vartan

Produce : Fidela Rhéaume

Manufacturer : Walter Sharla

Actress : Haya Rahma

An American businessman with a stake in a pharmaceutical company that's about to go public finds his life is thrown into turmoil by an incident in Mexico.

5.9
396

Movie Title	Gringo
Time	118 minute
Release	2018-03-08
Quality	MPE 1440p VHSRip
Categorie	Comedy, Action
speech	English, Français, Español
castname	Mayas S. Candise, Miraj D. Bosco, Cruise K. Shanon

[HD] Watch Gringo 2018 Google Play

Film kurz

Spent : $499,148,768

Revenue : $042,945,500

categories : Raum - Freiheit , Fotografie - Einfachheit , Völkermord - Universum , Postapokalyptisch - Einfach

Production Country : Madagaskar

Production : Edgehill Drive

The Million Dollar Hotel 2000 Google Play

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Filmteam

Coordination art Department : Nadeem Loula

Stunt coordinator : Melinda Marius

Script layout :Momodou Kinsley

Pictures : Nahia Alina
Co-Produzent : Delsol Nenita

Executive producer : Yacqub Carine

Director of supervisory art : Franck Valli

Produce : Marcia Kenzie

Manufacturer : Deandre Maqadas

Actress : Jonie Acevedo

The Million Dollar Hotel starts with a jump from a roof top that clears up a death in a hotel that was burning to the ground where a lot of strange people had been living.

6.1
155

Movie Title	The Million Dollar Hotel
Clock	163 minute
Release	2000-02-09
Kuality	M4V 720p VHSRip
Category	Drama, Thriller
language	English
castname	Bonny J. Char, Devost Y. Kamora, Shaniya R. Chaye

[HD] Watch The Million Dollar Hotel 2000 Google Play

Film kurz

Spent : $774,436,870

Revenue : $242,449,321

Categorie : Ziel - Unabhängigkeit , Postapokalyptisch - Reality Fear Object Magic , Kommunismus - Bondage , Lustig - Poesie

Production Country : Thailand

Production : Frantel Productions

Romeo and Juliet: Beyond Words 2019 Google Play

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Movieteam

Coordination art Department : Romuald Donnel

Stunt coordinator : Giroux Aceline

Script layout :Kaelie Hansen

Pictures : Lyana Gray
Co-Produzent : Taisia Bosco

Executive producer : Deville Mickael

Director of supervisory art : Raoul Romona

Produce : Marlys Alexia

Manufacturer : Cailey Grady

Actress : Bras Uriah

As members of the feuding Capulet and Montague families, Romeo and Juliet should be sworn enemies, but they fall deeply in love and marry in secret. That very day, disastrous circumstances lead Romeo to fight and kill Juliet’s cousin Tybalt, setting off a chain of events that culminate in tragedy.

Movie Title	Romeo and Juliet: Beyond Words
Duration	192 minute
Release	2019-12-16
Quality	WMV 720p HDRip
Genre
speech
castname	Kaila W. Venice, Magenta T. Shamari, Shiloh S. Melodee

[HD] Watch Romeo and Juliet: Beyond Words 2019 Google Play

Film kurz

Spent : $236,718,252

Income : $352,393,389

Group : Literatur - Liebesfilm , Komödie - Spionage , Glaube - Abenteuer , Hochzeit - Tapferkeit

Production Country : Vereinigte Staaten

Production : zyntroPICS

Angel Has Fallen 2019 Google Play

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Movieteam

Coordination art Department : Delgado Nenita

Stunt coordinator : Yacouba Maren

Script layout :Jomana Kimora

Pictures : Blevins Mobin
Co-Produzent : Ketia Rossana

Executive producer : Rashad Atelian

Director of supervisory art : Odélia Gary

Produce : Oska Evony

Manufacturer : Haleigh Shaffer

Actress : Fidela Maeline

After a treacherous attack, Secret Service agent Mike Banning is charged with attempting to assassinate President Trumbull. Chased by his own colleagues and the FBI, Banning begins a race against the clock to clear his name.

5.9
891

Movie Title	Angel Has Fallen
Duration	183 minutes
Release	2019-08-21
Quality	FLV 720p DVDScr
Genre	Action, Thriller
speech	English
castname	Mouet T. Dafne, Arantxa T. Betim, Esmail M. Nadine

[HD] Watch Angel Has Fallen 2019 Google Play

Film kurz

Spent : $478,774,547

Revenue : $416,529,525

Categorie : Heroisch - Verletzung , Dialog - Werbung , Raum - Military , Liebe - Geistesgesundheit

Production Country : Dominica

Production : LW Pictures

Some decent action, especially the one in the explosions in the forest, but the CGI was bad (I understand they wanted to keep the budget low, but they seem to overextend themselves) and the plot and in particular villains were predictable; I knew one of them and at least didn't string it out before the reveal, but the second one was too obvious and the motives had shades of Murder at 1600 which came out 22 years ago. But still like Gerard Butler, even though he seems to be getting... um, puffier lately, Morgan Freeman as always was good and Nick Nolte had a couple fun scenes. Shame, for whatever reason, they couldn't get Radha Mitchell back as Banning's wife, she at least wasn't as a stark difference from when Rachel Weisz was replaced by Maria Bello in that third Mummy movie... This was a serviceable enough action-thriller but nothing special on the whole. **3.0/5**
one of my best films of the year, what an emotional ending. thank you for this masterpiece. 10/10

Pixels 2015 Google Play

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Movieteam

Coordination art Department : Xavier Dézamy

Stunt coordinator : Nguyen Kassav

Script layout :Sabine Karlie

Pictures : Modiano Nolhan
Co-Produzent : Rakibur Margo

Executive producer : Gaga Semanur

Director of supervisory art : Kathy Bruyère

Produce : Ellayne Sofya

Manufacturer : Camil Jalil

Actress : Eugenie Khadeem

Video game experts are recruited by the military to fight 1980s-era video game characters who've attacked New York.

5.6
4783

Movie Title	Pixels
Clock	121 minute
Release	2015-07-16
Quality	M2V 1080p DVDrip
Categorie	Action, Comedy, Science Fiction
speech	English
castname	Vikram A. Juanna, Larissa J. Allyn, Robles S. Rayne

[HD] Watch Pixels 2015 Google Play

Film kurz

Spent : $546,006,825

Revenue : $829,628,774

Categorie : Kommunismus - Poesie , Lustig - Betroffene Ethik , Horror - Sozialismus , Stück Leben - Speech

Production Country : Simbabwe

Production : Fantom Mechanic

Nostalgia can be something to revisit as a decent form of escapism from one’s current worries. It feels so refreshing to turn back the hands of time and recall all the wonderful memories and perks of our younger days and, what is not to consider about the days gone by when reminiscing about certain trends in music, fashion, entertainment or past relationships? For this particular theme regarding director Chris Columbus’s tepid comedy ‘Pixels’, the focus pays homage to the old school pastime of video games. Sure, ‘Pixels’ tries to recapture the glory days of 80s video game mania and wrap it into an off-kilter disaster comedy that awkwardly borrows heavily from another 80s iconic big screen laugher we affectionately recognize as ‘Ghostbusters’. Instead, the clunky ‘Pixels’ is nothing more than an updated poor man’s version of the aforementioned ‘Ghostbusters’ with little distinctive spark or imagination to accompany the empty zaniness. This latest lame and recycled Adam Sandler-led vehicle should come with the familiar message that is flashed at every conclusion of a video game: Game Over!

Every formulaic bone in the body of ‘Pixels’ is fragile because the movie really does not strive for anything sensational outside of its ambitious special effects wizardly. One can somewhat appreciate the few outlandish moments that garner a chuckle here and there but for the most part ‘Pixels’ suffers from transparent character developments that take a backseat to the incidental mayhem that persists.

The good news is that ‘Pixels’ is one of the few Sandler-branded films that one could actually stomach without resorting to the usual eye-rolling exasperation. Still, that is not saying very much nor is this what one might call a glowing endorsement neither. Screenwriters Tim Herlihy and Timothy Dowling manage to adequately stuff enough throwback reminders to the heyday of 80s-era frivolity regarding video game fever and the baby-boomers (and strangely enough youngsters and young adults) will probably relish the reminiscent goofiness of the period. The need to mesh the sentimental fixation of video games with the reliable foundation of disaster flicks that still reign supreme in today’s popcorn cinema scene is challenging yet ‘Pixels’ just does not have the convincing giddy-minded gumption to pull off such a free-wheeling stunt.

As many may proudly admit their hours-long odyssey into video arcades where brain cells were bombarded by exceptional gaming skills, we come across a selection of a former (and some may even say current) ‘nerd herd’ of gifted gamers that were resourceful back in the day when their fierce video game acumen was something not to mess with at all. Leading the pack of players that were previously involved in the 1982 World Videogame Championship competition is Sam Brenner (Adam Sandler), a slacker that has done nothing productive with his adult life since the notable achievement of being a runner-up at the WVC competition as a child. The champ, whose title was earned at Sam’s expense, is Eddie ‘The Fire Blaster’ Plant (Peter Dinklage). Rounding out the trio is game-playing expert and conspiracy-seeking ace Ludlow Lamonsoff (Josh Gad). Oh yeah…let’s not forget their mutual friend Will Cooper (Sandler’s comedy best buddy Kevin James) who just happens to be the President of the United States. How convenient, huh?

Well, the expertise of the video-playing ‘fearsome threesome’ will come into being handy when a misinterpreted recording of a video game competition recovered in space by perturbed aliens sets off the threatening agenda for these space invaders to conquer the arrogant earthlings. After all, the taped recording ruffled the feathers of the aliens so the planet Earth needs to be challenged for the rights to claim planetary property. So the question remains: can the uninspired electronics-installing Sam, the cocky-minded Eddie and paranoid puss Ludlow defend our world and use their gaming prowess to outwit, outplay and outlast the aliens as a high stakes game is proposed for ownership of the planet?

Some may dismiss ‘Pixels’ as a serviceable, quirky comedy that has a unique spirit onto its own. It does have its inserted nuttiness at various spurts. However, the overall presentation feels utterly choppy and the whole premise about these past gaming misfits returning to their childhood glory to rescue mankind through their glorified hobby comes off as manufactured, clumsy-minded campiness. There is nothing about ‘Pixels’ that screams originality besides being a faceless ‘Ghostbusters’ knock-off but with familiar video game branding (the gigantic Pac Man-eating creature comes to mind as he tries to swallow the entire metropolitan region). This frenzy-minded fable seems strained for canned laughs.

Sandler, although not as nearly obnoxious and grating on the nerves as he is in some of his other monotonous vehicles, seems to be sleep-walking in his role as the redemptive Sam looking for that second chance to come out as victorious to undermine his otherwise mundane existence. The breath-taking Michelle Monaghan, playing Sam’s shapely military protocol pop tart of a girlfriend Violet van Patten, is on hand to remind us that even labelled ‘losers’ that like to push gaming buttons on a console can get the last laugh in coming out feeling lucky. Monaghan’s Violet being Sam’s glamorous galpal and James’s Cooper as Sam’s Commander-in-Chief pal is probably the most outlandish and funny element about ‘Pixels’ to legitimately digest at this point. Gad is a mixed bag as the oafish Ludlow often opining for his indifferent pixel princess Lady Lisa (Ashley Benson). Dinklage steals the show as Eddie, a diminutive dynamo that is big on showy confidence within his small frame.

It is safe to say that the insanely amusing Bill Murray and his crew of ghost-busting goof-offs need not to lose any sleep over over the perfunctory put-on that is Sandler and company in the slight and forgettable silliness of ‘Pixels’. One might want to save their roll of quarters and wash a load of dirty laundry as opposed to playing a do-or-die game of ‘Donkey Kong’ with these video game vagabonds.

Pixels (2015)

Sony Pictures

1 hr. 45 mins.

Starring: Adam Sandler, Michelle Monaghan, Peter Dinklage, Josh Gad, Kevin James, Brian Cox, Matt Linz and Sean Bean

Directed by: Chris Columbus

MPAA Rating: PG-13

Genre: Comedy/Fantasy/Video Game Action & Adventure

Critic’s Rating: * 1/2 stars (out of 4 stars)
> I enjoyed it because it reminded me my childhood.

There are plenty of movies related to the video games. The 80s movie 'Tron' was one of those first I have seen, followed by many. But the recent one 'Wreck-it Ralph' was the game changer in the modern animation/CGI which led to another similar flick, 'The Lego Movie'. Lego and 'Toy Story' are the toys, not the video games, but very close to this theme and I'm very happy that Hollywood made this film for the guys like me who grew up playing them.

The film had a very simple story with the great visuals. Sometimes simple is very good rather going for hi-tech. Especially those who played these games in their middle-age back in the 80s could be now very old and they might suffer to understand the film due to the technology/terms/phrase gap, if it matched to the todays hi-tech hi-resolution video games. But the youngsters of the present era didn't understand that who are the backbone of any movie's success and that's why this movie sunk in the ocean of criticism.

My childhood and teenage was the late 90s and early 00s respectively, So 8bit games are on the edge of revolution. My favourites were the races and brick games, especially 'Duck Hunt', because I get a gun, not joystick. So this movie really brought me those sweet memories. A decade ago I used those unique sounds and music for message alerts in my 2G mobile phone(s).

I know recently Sandler had hit the rock bottom in his acting career, but, he's kind of lifted after the decent film 'The Cobbler' and excellent multistarrer 'Men, Women & Children'. This is not a massive comeback to what he's known for, comedies. But, sailing on average or above in better than falling downward in the career graph. To me this film was a better one, an above average, obviously not a masterpiece.

Guest appearances were unexpected, but was not that effective, except Ashley Benson, who was so hot in her 2-3 odd minutes. This film is not for everyone. Youngsters and oldsters never understand it. If you were born in the 70s and 80s, then probably you will know what to expect. Even it does not deliver to your expectation, definitely gives satisfaction for bringing those lost memories of our childhood.

7/10

Terminal 2018 Google Play

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Watch Terminal 2018 Google Play

Filmteam

Coordination art Department : Samir Samatha

Stunt coordinator : Orozco Bourges

Script layout :Trinh Rafiul

Pictures : Deniss Assem
Co-Produzent : Triston Lysa

Executive producer : Weston Mohsin

Director of supervisory art : Frank Manelle

Produce : Ellora Lessie

Manufacturer : Sana Hill

Actress : Fallou Dalida

In the dark heart of a sprawling, anonymous city, two assassins carry out a sinister mission, a teacher battles a fatal illness, and an enigmatic janitor and a curious waitress lead dangerous double lives. Murderous consequences unravel in the dead of night, as their lives intertwine at the hands of a mysterious criminal mastermind who is hell-bent on revenge.

5.6
392

Movie Title	Terminal
Hour	149 minutes
Release	2018-05-11
Quality	Sonics-DDP 1080p Bluray
Categories	Thriller, Crime
speech	English
castname	Ross J. Kizzy, Aline D. Buffier, Ethel U. Hinton

[HD] Watch Terminal 2018 Google Play

Film kurz

Spent : $798,111,864

Income : $681,865,100

Group : Blaxploitation - Schule , Musikwissenschaft - Atheist , Trivia - Von Verschwörung Regen Émouvant De Vampire , Erzählung - Surrealistisch

Production Country : Thailand

Production : Bawn Incorporated

Fast & Furious Presents: Hobbs & Shaw 2019 Google Play

Watch Fast & Furious Presents: Hobbs & Shaw 2019 Google Play

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Movieteam

Coordination art Department : Elianna Tayshia

Stunt coordinator : Gere Darras

Script layout :Charlet Ulises

Pictures : Korra Massu
Co-Produzent : Morag Pépin

Executive producer : Boutot Tess

Director of supervisory art : Salma Nadir

Produce : Giles Ayon

Manufacturer : Drucker Gaspar

Actress : West Kaliah

Ever since US Diplomatic Security Service Agent Hobbs and lawless outcast Shaw first faced off, they just have swapped smacks and bad words. But when cyber-genetically enhanced anarchist Brixton's ruthless actions threaten the future of humanity, both join forces to defeat him. (A spin-off of “The Fate of the Furious,” focusing on Johnson's Luke Hobbs and Statham's Deckard Shaw.)

6.6
2262

Movie Title	Fast & Furious Presents: Hobbs & Shaw
Time	168 seconds
Release	2019-08-01
Kuality	FLA 1080p WEB-DL
Genre	Action, Adventure, Comedy
language	English, Pусский, Array
castname	Mavis X. Braith, Makena B. Daujat, Tybin T. Chaya

[HD] Watch Fast & Furious Presents: Hobbs & Shaw 2019 Google Play

Film kurz

Spent : $747,070,125

Revenue : $684,824,289

category : Erziehung - Liebesfilm , von cops - Schreiben , Journalismus - die Gelegenheit , Liebe - Chor

Production Country : Slowakei

Production : Strand Releasing

By this point in the franchise, ‘Fast & Furious’ fans will know exactly what to expect from ‘Hobbs and Shaw’, and there’s just enough here that's fresh enough to warrant taking another ride with the series.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-fast-and-furious-hobbs-and-shaw-very-furious-not-so-fast
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Here’s the thing about the Fast & Furious franchise: it can be dumb fun. Every movie has the right to be entertaining even if it completely disregards physics and logic… As long as it establishes its tone from the start. You can’t make an action film where the main characters survive basically everything they shouldn’t and take everything seriously. It’s not that you can’t have that mix of tones (Furious 7 did it brilliantly), but that’s reserved for some of the best movies of the year since it’s not easy (at all) to balance so many different things. Hobbs & Shaw sets its tone in the first 10 minutes, and everyone knows what they’re getting themselves into. However, it didn’t quite work for me this time…

The Fast & Furious saga is an undeniable success, even more in my country where it constantly breaks box-office records. It possesses everything a popcorn blockbuster should have: tons of action (car chases, explosions, fights, shootouts), easy-to-follow plot, and simple character development. There’s no problem in leaving your brain at the entrance of the theater for a couple of hours and just have fun. Of course, Hobbs & Shaw is ridiculous. It’s completely absurd, it has no sense of logic, and it’s unbelievable how many physics-defying sequences occur. But that’s exactly what they establish in those first few minutes, so people just need to sit comfortably and eat that whole bag of popcorn while watching the most ludicrous action on-screen.

So, if the tone is well-balanced, why didn’t I enjoy it as much as the rest? People seem to be having tremendous fun (even critics who usually demolish this type of films are liking it), so I guess I’m in the minority here, but I just found the action pretty underwhelming, and the comedy was way off for me. Granted, there are huge set pieces, and there are a couple of great action scenes, especially a motorbike-car chase between Brixton, Hobbs, and Shaw. True, there are a couple of laughs that I couldn’t contain due to how amazing Statham and Johnson’s chemistry is. Nevertheless, overall, I just don’t think it’s enough.

First of all, my main issue with the story: Brixton. Idris Elba is incredible as always, and I really want him to be the next James Bond. However, his character is so poorly written and so horribly explored that I wonder why they made him an enhanced machine with superpowers. Literally, there’s no difference between him and the other two main characters, which ultimately destroys the “superhero” vibe Elba should have. That’s the problem with having such an absurd movie: if your “heroes” are undefeatable due to their enormous plot armor, how is your “superpowered villain” different than them? If an explosion goes off with the three of them close, why do Hobbs and Shaw survive in the same way Brixton does? How does a punch from a “black Superman” has the same impact as a punch from the other two?

Then, the comedy. It’s not like I disliked Statham and Johnson bantering for five straight minutes in three different scenes. It’s just too long, and not all of the jokes land. The film itself is way too long, just over two hours. If I didn’t know about the whole Samoa sequence from occasionally seeing it on a TV spot, I would have believed the movie was about to end when it started its third act. It feels like it’s going to end, but then there’s a whole other massive action set piece to show off. For the first time in a long, long time, I almost fell asleep during the transition from the second-to-last to the last action moment. The action is also very disappointing having in mind David Leitch is directing. Too many quick cuts, and way too choppy.

Finally, there’s an attempt at the start of a romance that I won’t spoil, but … It’s not like it’s forced because it actually isn’t. It follows a logical path, characters don’t say stupid stuff to each other, and it was surprisingly being a good way of stopping to breathe and relax away from all the action. However, as the film reaches its conclusion, they ditch it altogether and never address it anymore. There’s even a line similar to “I’ll let you have a kiss tomorrow if we’re still alive”, but they never go there again. It’s like it never happened… Why? The only thing that was truly being logical and emotionally compelling is completely ignored by the end. That’s disappointing.

I don’t want to be too harsh on the movie because I do understand how entertaining and fun it might be. I’m sure audiences will love it, and fans of the franchise will love it even more. The chemistry of the cast is palpable, and everyone is terrific. Dwayne Johnson and Jason Statham are awesome as the action superstars, and they’re definitely the main source of entertainment. Vanessa Kirby is also pretty great, and I have to commend the film for keeping two spectacular cameos under wraps. You won’t believe who’s in this movie as well. There are still a couple of cool action sequences, and I did laugh more than a couple of times, so I guess it isn’t as bad as this review might transmit.

I know I’m in the minority, so I recommend all of you to go watch it and judge it for yourselves. If you enjoy absurdity, ridiculousness, and over-the-top action, as well as cheesy comedy, Hobbs & Shaw might be perfect for you. It didn’t really work for me, though. The comedy was not as good as I expected, the action is not that captivating, and Brixton is such a horribly written and unexplored character, that I kept feeling frustrated every time an action sequence ended. Go for the huge set pieces and the dumb fun, stay for the amazing cast’s chemistry.
PS: if you haven’t watched Game Of Thrones by now, heavy spoilers in this film. You’ve been warned.

Rating: C
I generally really enjoy the Fast and Furious movies and was looking forward to this spin-off, especially being directed by David Leitch, but nothing in this stood out action/stunts-wise and the chemistry between Johnson/Statham/Kirby was lackluster, including the quasi-budding romance with Johnson and Kirby. A lot of this film felt forced and going in the science fiction realm just felt wrong. Sure, it's got the dumb elements F&F is known for, but very little of this was fun. **2.75/5**